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Death, 1624
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Death, 1624
Death, 1624. A figure in a tomb (circle), his soul and spirit leaving (two boy-headed birds), absorbing the black crow. In the body are salt, sulphur and mercury. From Viridarium Chymicum by Daniel Stolcius, 1624
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Media ID 14849279
© Ann Ronan Picture Library / Heritage-Images
Alchemy Corpse Crow Daniel Soul Spirit Ann Ronan Pictures Mausoleum
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This print, titled "Death, 1624" transports us back to the enigmatic world of the 17th century. Created by Daniel Stolcius, this woodcut illustration from his renowned work Viridarium Chymicum delves into the realms of science, alchemy, and mortality. At its center lies a tomb in circular form, symbolizing eternity. Within it rests a male figure representing Death himself. As we observe closely, two boy-headed birds emerge from his body – the embodiment of his departing soul and spirit. These ethereal creatures are depicted absorbing a black crow, perhaps signifying the transference of life force or knowledge. The artist ingeniously incorporates elements of alchemy into this composition: salt, sulphur, and mercury reside within Death's physical vessel. This inclusion hints at Stolcius' belief in their transformative powers as essential components for spiritual enlightenment. The monochromatic aesthetic adds an air of mystery to this seventeenth-century masterpiece. The intricate details invite contemplation on themes such as mortality and transcendence while showcasing Stolcius' artistic prowess. "Death, 1624" is not merely a visual representation but an exploration into profound concepts that have fascinated humanity for centuries. It serves as a reminder that even in death's embrace lies the potential for rebirth and transformation – an enduring testament to our eternal quest for understanding life's mysteries.
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