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Adoration of the Magi, 1642. Creator: Guido Reni (Italian, 1575-1642)

Adoration of the Magi, 1642. Creator: Guido Reni (Italian, 1575-1642)


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Adoration of the Magi, 1642. Creator: Guido Reni (Italian, 1575-1642)

Adoration of the Magi, 1642. This large altarpiece was in the artists studio when he died, and parts of the composition appear incomplete. Some figures lack colour, and Reni never finished the wooden structure. The silvery ground layer appears everywhere, as do his changes to the composition, such as the dogs head above the angels right knee and the adjustment to Christs right leg, covered in blue. However, Renis death does not fully explain the unfinished quality. Toward the end of his career, he increasingly painted in a loose and sketchy manner-popular with collectors at the time-an approach implying that concrete forms could never depict the ideal, spiritual world Reni aimed to present

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Media ID 19618345

© Heritage Art/Heritage Images

Guido Reni 1575 1642


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EDITORS COMMENTS
This print showcases Guido Reni's "Adoration of the Magi" altarpiece, created in 1642. The artwork holds a unique charm as it was found unfinished in the artist's studio after his passing. Upon closer examination, one can observe certain figures lacking color and an incomplete wooden structure. However, these aspects are not solely attributed to Reni's death but rather reflect his evolving artistic style towards the end of his career. Reni's deliberate use of a loose and sketchy technique, which gained popularity among collectors during that time, is evident throughout this piece. This approach conveys a sense of imperfection and fluidity that suggests concrete forms cannot fully capture the idealized spiritual world Reni aimed to present. The silvery ground layer serves as a common backdrop across the composition while subtle changes can be spotted, such as the addition of a dog's head above an angel's knee or adjustments made to Christ's right leg covered in blue. As we delve into this remarkable work by Guido Reni, we are transported back to 17th-century Italy where artistry flourished. This oil on canvas painting now resides at The Cleveland Museum of Art and has been beautifully captured in this print by Heritage Art/Heritage Images – offering us an opportunity to appreciate its intricate details and ponder upon Reni’s artistic vision for this unfinished masterpiece.

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